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[Tanya Chua] 蔡�雅 - 舞步 | Dance steps


renn

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Tanya Chua (蔡å¥é›…) -
| Dance steps
 
 
Lyrics: æŽè‹¥å› (Li Ruojun), 蔡å¥é›… (Tanya Chua)
Composition: 蔡å¥é›… (Tanya Chua)
 

Lyrics translation by @renn at www.onehallyu.com

credits.png

 
 
 
æ—…é€”ä¹‹ä¸­æœ‰å´æ­¥ è¨€è¯­èƒŒåŽæœ‰æ„图
我们ä¹çœ‹åœ¨å…±å¤„ 其实到处起冲çª
争论对错的速度 大于心跳的起ä¼
最åŽåªå‰©ä¸‹çš®è‚¤ è¿˜ä¿æœ‰æ„Ÿè§¦
 
lÇš tú zhÄ« zhÅng yÇ’u què bù / yán yÇ” bèi hòu yÇ’u yì tú
wÇ’ men zhà kàn zài gòng chÇ” / qí shí dào chù qÇ chÅng tú
zhÄ“ng lùn duì cuò de sù dù / dà yú xÄ«n tiào de qÇ fú
zuì hòu zhÇ shèng xià pí fÅ« / hái bÇŽo yÇ’u gÇŽn chù
 
There are backward steps in the journey. There are intentions behind the spoken words.
At first glance, we appear to be get along, but actually conflicts arise everywhere.
The speed with which [we] argue over right and wrong is greater than the ups and downs in [the rate of our] heartbeats.
In the end, only [our] skin retains [any] sensation[1].
 
 
你若是å‘å‰ æˆ‘é€€ä¸€æ­¥
一个眼神 就能解读
我怀念那时 å’Œè°åŒäººèˆž
 
nÇ ruò shì xiàng qián / wÇ’ tuì yÄ« bù
yī gè yǎn shén / jiù néng jiě dú
wÇ’ huái niàn nà shí / hé xié shuÄng rén wÇ”
 
If you advanced, I would back away a step.
[it took] just one meaningful glance for [the other person] to decipher [the intention].
I miss the harmonious two-person dance of back then.
 
 
现在你转身 æˆ‘ä¸æŠ•å…¥
这一首歌 æ— æ³•åŒæ­¥
è°è¯¥ä¸»åŠ¨è®¤è¾“
 
xiàn zài nÇ zhuÇŽn shÄ“n / wÇ’ bù tóu rù
zhè yī shǒu gē / wú fǎ tóng bù
shéi gÄi zhÇ” dòng rèn shÅ«
 
Now you've turned around; I'm not invested in [the dance].
There is no way [for us] to keep step with [one another] for this song.
Who should take the initiative to admit defeat?
 
 
#
Know that my heart is beating
But I know that my heart is bleeding
Know that my heart is beating
Know that my heart heart heart is bleeding
 
 
视线错开的角度 缺ä¹çµé­‚的温度
ä¸€è¹¶ä¸æŒ¯çš„周五 还ä¸ç®—穷途末路
如果终究è¦è½å¹• 何必éšç€çˆ±èµ·èˆž
当åˆå°±è®©å®ƒå½“åˆ ä¸è¯¥å†å›žé¡¾
 
shì xiàn cuò kÄi de jiÇŽo dù / quÄ“ fá líng hún de wÄ“n dù
yÄ«juébùzhèn de zhÅu wÇ” hái bù suàn qióngtúmò lù
rúguÇ’ zhÅngjiù yào luòmù hébì suízhe ài qÇ wÇ”
dÄngchÅ« jiù ràng tÄ dÄngchÅ« bù gÄi zài huí gù
 
The angle by which [our] lines of sight misalign lacks the [warm] temperature of the soul.
The Friday on which [we] fell into shambles after one setback doesn't quite count as a dead end.
If the curtains will eventually fall, why follow [the feeling of] love and start dancing?
Let [what had happened] "originally" just be [something that had happened] "originally"; [we] should not look back [at the past] anymore.
 
 
你若是å‘å‰ æˆ‘é€€ä¸€æ­¥
一个眼神 就能解读
而默契å†å¥½ 也是è¦ç»“æŸ
 
nÇ ruò shì xiàng qián / wÇ’ tuì yÄ« bù
yī gè yǎn shén / jiù néng jiě dú
ér mò qì zài hǎo / yě shì yào jié shù
 
If you advanced, I would back away a step.
[it took] just one meaningful glance for [the other person] to decipher [the intention].
But no matter how deeply [we] were connected without the need for words, [things] were bound to come to an end.
 
 
现在你转身 æˆ‘ä¸æŠ•å…¥
这一首歌 æ— æ³•åŒæ­¥
我该主动认输
 
xiàn zài nÇ zhuÇŽn shÄ“n / wÇ’ bù tóu rù
zhè yī shǒu gē / wú fǎ tóng bù
wÇ’ gÄi zhÇ” dòng rèn shÅ«
 
Now you've turned around; I'm not invested in [the dance].
There is no way [for us] to keep step with [one another] for this song.
I should take the initiative to admit defeat.
 
 
Repeat #
 
 
##
Is beating
But I know that my heart is bleeding
Know that my heart is beating
Know that my heart heart heart is bleeding
 
 
试ç€å¥½å¥½èµ°è·¯ åœæ­¢æ€»æƒ³ä¸Žäººå…±èˆž
到最åŽä¸€å¡Œç³Šæ¶‚ åˆä¸€å¡Œç³Šæ¶‚
总是给人ç¥ç¦ 何时轮到我被ç¥ç¦
快点结æŸè¿™ä¸€å‡º 在演哪一出
 
shì zhe hÇŽo hÇŽo zÇ’u lù / tíng zhÇ zÇ’ng xiÇŽng yÇ” rén gòng wÇ”
dào zuì hòu yÄ« tÄ hú tú / yòu yÄ« tÄ hú tú
zÇ’ng shì jÇ rén zhù fú / hé shí lún dào wÇ’ bèi zhù fú
kuài diǎn jiéshù zhè yī chū zài yǎn nǎ yī chū
 
[i'm] trying to properly walk and refrain from always trying to dance with others.
In the end, [that just creates] one total mess after another.
[i'm] always wishing others well; when will it be my turn to receive well wishes?
Let this dramatic piece end quickly. Which dramatic piece is being acted out?
 
 
Repeat #
 
Repeat ##
 
 
 
T/N:
 
[1] 感触: Technically, this is not about tactile sensation but rather feelings that arise due to some external matter, i.e. emotional stirrings.
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