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How can Jaejoong can get on so many Japanese year end shows while TVXQ can't?

DocumentaLy

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DocumentaLy

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maybe because of the tvxq mv issue they had earlier this year? they dont want it to become a bigger issue if they were going on these shows?

or maybe they cant fit it in their schedule? 

 

 

What issue? I saw an ad in Shibuya for their dome shows, but they already passed. What is their schedule?

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coval Superstar

coval

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Maybe tvxq charges a higher broadcast fee/jaejoong was booked first and sm doesn't want tvxq doesn't want them to perform at the same place as jaejoong

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Louise4th Senior Idol

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As a long time fan since 2005, i'm hugely dissapointed, this is the first time i decide to not buy their album. The Truth of Love are trash it feels like a scam

 

TVXQ!'s Korean musics have became trash since 2012. They went too far ahead with the whole Classy-Jazz-Swing concepts that nobody give a damn, serve them right. They became generic the moment they infused alot of western styles in their musics, they almost made me want to become a hater screw them.

 

What the hell are Yunho and Changmin doing? They were all about encouraging people with inspiring lyrics before but now they are singing about love between two lovers/sex and how hot their female partners are, fucking shit. That punk Changmin used to write something like Love In The Ice and Confession (which were masterpieces) but now he's all about sex and shit which are no different than 99.99% of what Kpop groups out there often talked about in their lyrics. Should have just hired Jaejoong to compose and write something like CREATION, Let The Rythm Flow, One Kiss, I'm all Alone, MINE etc etc etc

 

Keep Your Head Down, TONE, TIME, TREE, WITH, Humanoids, SakuraMichi, ROAD etc are masterpieces, Rise As God are so-so. Catch Me, Tense, SPELLBOUND, The Chance Of Love, Jealous, The Truth Of Love are pure trash it pissed me off. I don't listen to TOMORROW yet but from the lyrics i have read, it sounds quiet good.

 

Where are RISING SUN, O Jung Ban Hap, Tri-Angle, Free Your Mind, Survivor, Android, Humanoids, Break Out, MAXIMUM, Purple Line, Dangerous Mind, Fated, Refuse To Lose etc etc etc with inspiring and dark social commentary lyrics for their title tracks?

 

Where are extra-ordinary ballads with meaningful lyrics such as Bolero, Asu Wa Kuru Kara, In Our Time, BEGIN, Proud, Chandelier, Time Works Wonders, SakuraMichi, Forever Love, With All My Heart, Lovin You, Toki Wo Tomete, Duet, Shiawase Iro No Hana, WITH LOVE, Ai Wo Motto etc etc etc for their b-side tracks??

 

They need to return to their roots and ballads, no wonder why they are flopping so hard right now. It seems like the split didn't only downgrade their popularity, but also musical quality as well smh :omgwtf:

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Slowpoke X Star

Slowpoke X

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I highly doubt that seeing as how Japan is their main market.

 

If you're an old group like TVXQ, you'll probably want to spend holidays with your close ones in Korea, and maybe promote on some Korean show an hour away from home.

 

In Japan all they can get is fake drama on performing on same show as jaejoong and being a backup plan for bts on kohaku.

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DocumentaLy Nation's First Love

DocumentaLy

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As a long time fan since 2005, i'm hugely dissapointed, this is the first time i decide to not buy their album. The Truth of Love are trash it feels like a scam

 

TVXQ!'s Korean musics have became trash since 2012. They went too far ahead with the whole Classy-Jazz-Swing concepts that nobody give a damn, serve them right. They became generic the moment they infused alot of western styles in their musics, they almost made me want to become a hater screw them.

 

What the hell are Yunho and Changmin doing? They were all about encouraging people with inspiring lyrics before but now they are singing about love between two lovers/sex and how hot their female partners are, fucking shit. That punk Changmin used to write something like Love In The Ice and Confession (which were masterpieces) but now he's all about sex and shit which are no different than 99.99% of what Kpop groups out there often talked about in their lyrics. Should have just hired Jaejoong to compose and write something like CREATION, Let The Rythm Flow, One Kiss, I'm all Alone, MINE etc etc etc

 

Keep Your Head Down, TONE, TIME, TREE, WITH, Humanoids, SakuraMichi, ROAD etc are masterpieces, Rise As God are so-so. Catch Me, Tense, SPELLBOUND, The Chance Of Love, Jealous, The Truth Of Love are pure trash it pissed me off. I don't listen to TOMORROW yet but from the lyrics i have read, it sounds quiet good.

 

Where are RISING SUN, O Jung Ban Hap, Tri-Angle, Free Your Mind, Survivor, Android, Humanoids, Break Out, MAXIMUM, Purple Line, Dangerous Mind, Fated, Refuse To Lose etc etc etc with inspiring and dark social commentary lyrics for their title tracks?

 

Where are extra-ordinary ballads with meaningful lyrics such as Bolero, Asu Wa Kuru Kara, In Our Time, BEGIN, Proud, Chandelier, Time Works Wonders, SakuraMichi, Forever Love, With All My Heart, Lovin You, Toki Wo Tomete, Duet, Shiawase Iro No Hana, WITH LOVE, Ai Wo Motto etc etc etc for their b-side tracks??

 

They need to return to their roots and ballads, no wonder why they are flopping so hard right now. It seems like the split didn't only downgrade their popularity, but also musical quality as well smh omgwtf.png

 

I never really cared for the two that remained, which partially resulted in me no longer following what they did. But when I did hear them, I noticed that they definitely had a more much KPop sound as opposed to a Japanese sound. The issue is that I was more a fan of the Japanese material than the Korean material.

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Louise4th Senior Idol

Louise4th

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I never really cared for the two that remained, which partially resulted in me no longer following what they did. But when I did hear them, I noticed that they definitely had a more much KPop sound as opposed to a Japanese sound. The issue is that I was more a fan of the Japanese material than the Korean material.

Pretty much, it definitely has something to do with losing 3 of their original members. The change in their musical route were not done in a smooth way. In contrary, i'm enjoying all of Jaejoong's works so far which have similar vibe and aura as DB5K's old and Japanese stuff :derp:

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DocumentaLy Nation's First Love

DocumentaLy

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Pretty much, it definitely has something to do with losing 3 of their original members. The change in their musical route were not done in a smooth way. In contrary, i'm enjoying all of Jaejoong's works so far which have similar vibe and aura as DB5K's old and Japanese stuff 0u0plz.png

 

Well when you're left with the backing vocals only, you have to make do...

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shimu Idol

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Who says TVXQ can't promote in Japan? Seeing as they just released a Korean album a couple of days before the new year, I'm sure their plans were always to promote it in Korea.

 

As for all the biased nonsense in this thread. Lmao.

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shay Star

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This is what i thought..i dont stan tvxq anymore but i was wondering if they would come on music end shows considering they released albums and singles..

 

Also you cant compare with Jaejoong considering he could only promote this year..im liking the support from his agency so far..he is getting good attention for his vocals

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DocumentaLy Nation's First Love

DocumentaLy

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A closet Jaejoong akgae bashing TVXQ duo just exposed him/herself. imstupid.png Good to know who are the phakes.

 

At first looking at the thread title, I was gonna reply and discuss... however seeing some of the last replies, 0u0plz.png hmm nevermind. I know where this thread is heading.

 

Do discuss!

 

 

Who says TVXQ can't promote in Japan? Seeing as they just released a Korean album a couple of days before the new year, I'm sure their plans were always to promote it in Korea.

 

As for all the biased nonsense in this thread. Lmao.

 

Nobody is saying they can't. It's being asked why they don't.

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