Should Lovelyz work with OnePiece again?

[Burning Desire]

Their works with Lovelyz include :

 

1) Candy Jelly Love

2) Hi~

3) Ah-Choo

4) Destiny

5) WoW!

6) Now, We

 

Lovelyz stopped working with OnePiece after Now, We. For 'Twinkle', they've collaborated with TAK (who previously released a remix version of 'TT').  Also, they've worked with SWEETUNE for 'That Day'.

[epitome T0T]

whoever produced destiny need to team up with them again. i need that kind of song from them.

[tide]

whoever produced destiny need to team up with them again. i need that kind of song from them.

 

 

Their works with Lovelyz include :

 

1) Candy Jelly Love

2) Hi~

3) Ah-Choo

4) Destiny

5) WoW!

6) Now, We

 

 

 

[Burning Desire]

whoever produced destiny need to team up with them again. i need that kind of song from them.

 

lol did you even read my post

[-Amethyst-]

I’m Lovelyz trash but since that day was release I feel like they need to mature a lot for their next comeback a strong or dark concept would be awesome. And I think if they keep one piece they couldn’t evolve properly in their concept so the answer is no they should change

[Burning Desire]

I’m Lovelyz trash but since that day was release I feel like they need to mature a lot for their next comeback a strong or dark concept would be awesome. And I think if they keep one piece they couldn’t evolve properly in their concept so the answer is no they should change

 

I don't think that changing the concept would be necessary though.. the result might turn out bad like CLC and lose their stable Korean fandom for this. I don't think they'd risk it, and I actually like them for genuinely continuing their concept.

[-Amethyst-]

I don't think that changing the concept would be necessary though.. the result might turn out bad like CLC and lose their stable Korean fandom for this. I don't think they'd risk it, and I actually like them for genuinely continuing their concept.

 

Ofc not changing for a girl crush concept. But evolve into something more strong and deep

[MyLovelyzLife]

Ofc not changing for a girl crush concept. But evolve into something more strong and deep

maybe in this line

[MicrowavedTeaforYourSoul]

New Sweetune-produced song is really not what i expect (I have low expectation for Sweetune after MonoTree members leaving). The chorus is good but not really catchy and sounds like it should be in another song. OnePiece is good so i want Lovelyz to work with them again.

[girlcalledH]

If OnePiece can give me more mature, darker song then sure. I don't think it's a necessity for Lovelyz to work with them again, I like Lovelyz working with other producers as well.

 

Then again if they give Lovelyz another Hi I would be sold

[MyLovelyzLife]

Maybe yes, maybe no.

Lovelyz need always think in your korea fanbase first, int aprovation dont will pay your debts if the koreans turn your back for the girls.

I can list some goups with " ifans good music certificate" and struggling right now.

Breath fresh air is good, but Woollim need take this in mind with OnePiece, SWEETUNE or another producer.

[sonagi]

I really hope they will! OnePiece are the ones who helped establish Lovelyz's signature sound and who, in my opinion, best convey their musical identity as a group. It's nice to see Lovelyz working with other composers too to mix things up, but I'd still like them to stick with OnePiece in the long run. After all, most of their best title tracks and b-sides were produced by OnePiece.

[lovery]

My favorite title songs from them are Destiny... Now, We... and That day and I surprisingly became so fond of WoW! that I occassionally go back to that as well... I also like Candy Jelly Love and Ah-Choo... almost all of these songs were made by One Piece, but if they choose to work with Sweetune again I would still be happy... I think between these two Lovelyz has a solid sound.

I also liked Twinkle but I find that I never go back to it, For You sounds nice and Lovelyz-like but it's not really my type of song. Hi~ is nice and has the core Lovelyz sound and essence packed into it but it's also not really a song I find myself going back to or loving.

 

So if it's One Piece or (for now) Sweetune then I'm satisfied and don't think they necessarily need to look elsewhere for songs.

[Splix.io]

yes.

[Puno Autopop]

Actually Onepiece really did bring Lovelyz good quality songs, but ofcourse they should try new producers and I can say that Sweetune did not disappoint me because the signature lovelyz sound is still there. But I'm still hoping up for new concepts or sound lovelyz can make cause whoever their producer is they still manage

[LoveInUs]

That Day is a great song, but something was missing in the verses. I think a stronger and mature concept would be good with Sweetune AND OnePiece. Maybe something like Destiny and more modern and refreshing.

[Deviandrepepe]

maybe in this line

 

 

Bside of the year 

[Memuro]

I love That Day, but that explain why the music isn’t as sophisticated like their other tracks. There was always layers and layers, a lot of different and cohesive sound throughout the verses. They should grow their sound with OnePiece, that would be bomb. But in the same time, I like that they try new thing with new producers and by keeping their sound. I’d love any option.

[Kingsandqueens]

I hope they alter between Sweetune and One Piece because they are delivering best quality songs that are suitable for them

[epitome T0T]

 

 

 

lol did you even read my post

 i can't read  

[Master Of Species]

They should work with different producers every comeback in the b-sides. I want to see how they can keep Lovelyz style, it would be a fun challenge but I won't risk it in the title track tho. Even if they killed in the girl crush concept the reception from SK fans can be not that good. Like they did to Fingertip from GF. After Fingertip GF also has been having problems to find a song that hit in SK again. In the end, to girl groups is better to keep the SK fanbase.