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I love this instrumental.


strawberrykiss

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To be fair... all of their instrumentals are top quality!!

 

UOAY is particularly interesting because Kim Do-Hoon was facing the challenge to make MMM's sound more mainstream but always with that MMM style, retro, funky sound.

 

It is much different from previous Piano Man's instrumental in almost everyway but the funk is still here. Is it much blubblier than their previous efforts, with a young audience appeal. The way he laid down the drum and synths programming with those effects and filters add a lot of peps and youthfulness to the song. The snare drums are hitting much hard, the synths sounds much more modern with a cheerful summer-y color to them.

 

Also, sonically it is a very polyphonic instrumental. There is always an instrument/synth playing different notes along the bass. It stands on its own without vocals added, again introducing MMM as a more accessible act. More mainstream audiences will enjoy the song as whole before focusing on the voices. In contrast to UOAY, You're The Best for instance is more stripped down. The instrumental can sometimes sound a bit empty but that's on purpose because the focus is the girl's voices. They complete the instrumentals only with their voices, harmonies, runs and so on. UOAY's purpose was clearly different, and it achieved to do exactly what it needed to. KDH is very smart.

 

The man also plays with MMM's uniqueness and their creativity by adding the spoken moment in the bridge where the pace is interrupted for the unexpected comedic skit moment. I love that MMM doesn't only sing (which given their talent they could have done just that) but they're given room to show their personality in the song itself, and that's very unique. You could compare that to the spoken moments in Mr Ambiguous, or the bridge in You're The Best (live performances).

 

 

I think I was a bit disappointed when I found out how different it was from Piano Man, but now I understand what Kim Do-Hoon did. Even the lyrics are more straightforward and easier to sing to compared to Piano Man (but we're talking about the instrumental here).

 

:smile:

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To be fair... all of their instrumentals are top quality!!

 

UOAY is particularly interesting because Kim Do-Hoon was facing the challenge to make MMM's sound more mainstream but always with that MMM style, retro, funky sound.

 

It is much different from previous Piano Man's instrumental in almost everyway but the funk is still here. Is it much blubblier than their previous efforts, with a young audience appeal. The way he laid down the drum and synths programming with those effects and filters add a lot of peps and youthfulness to the song. The snare drums are hitting much hard, the synths sounds much more modern with a cheerful summer-y color to them.

 

Also, sonically it is a very polyphonic instrumental. There is always an instrument/synth playing different notes along the bass. It stands on its own without vocals added, again introducing MMM as a more accessible act. More mainstream audiences will enjoy the song as whole before focusing on the voices. In contrast to UOAY, You're The Best for instance is more stripped down. The instrumental can sometimes sound a bit empty but that's on purpose because the focus is the girl's voices. They complete the instrumentals only with their voices, harmonies, runs and so on. UOAY's purpose was clearly different, and it achieved to do exactly what it needed to. KDH is very smart.

 

The man also plays with MMM's uniqueness and their creativity by adding the spoken moment in the bridge where the pace is interrupted for the unexpected comedic skit moment. I love that MMM doesn't only sing (which given their talent they could have done just that) but they're given room to show their personality in the song itself, and that's very unique. You could compare that to the spoken moments in Mr Ambiguous, or the bridge in You're The Best (live performances).

 

 

I think I was a bit disappointed when I found out how different it was from Piano Man, but now I understand what Kim Do-Hoon did. Even the lyrics are more straightforward and easier to sing to compared to Piano Man (but we're talking about the instrumental here).

 

:smile:

:omg:  :shock: amazing break down dude 

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To be fair... all of their instrumentals are top quality!!

 

UOAY is particularly interesting because Kim Do-Hoon was facing the challenge to make MMM's sound more mainstream but always with that MMM style, retro, funky sound.

 

It is much different from previous Piano Man's instrumental in almost everyway but the funk is still here. Is it much blubblier than their previous efforts, with a young audience appeal. The way he laid down the drum and synths programming with those effects and filters add a lot of peps and youthfulness to the song. The snare drums are hitting much hard, the synths sounds much more modern with a cheerful summer-y color to them.

 

Also, sonically it is a very polyphonic instrumental. There is always an instrument/synth playing different notes along the bass. It stands on its own without vocals added, again introducing MMM as a more accessible act. More mainstream audiences will enjoy the song as whole before focusing on the voices. In contrast to UOAY, You're The Best for instance is more stripped down. The instrumental can sometimes sound a bit empty but that's on purpose because the focus is the girl's voices. They complete the instrumentals only with their voices, harmonies, runs and so on. UOAY's purpose was clearly different, and it achieved to do exactly what it needed to. KDH is very smart.

 

The man also plays with MMM's uniqueness and their creativity by adding the spoken moment in the bridge where the pace is interrupted for the unexpected comedic skit moment. I love that MMM doesn't only sing (which given their talent they could have done just that) but they're given room to show their personality in the song itself, and that's very unique. You could compare that to the spoken moments in Mr Ambiguous, or the bridge in You're The Best (live performances).

 

 

I think I was a bit disappointed when I found out how different it was from Piano Man, but now I understand what Kim Do-Hoon did. Even the lyrics are more straightforward and easier to sing to compared to Piano Man (but we're talking about the instrumental here).

 

:smile:

 

That was a great read! KDH has a lot of fans I see...  :)

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