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J-Rock Reboot: 8 Bands Plugged in to Japan’s Future!


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J-Rock Reboot: 8 Bands Plugged Into Japan's Future by Patrick St. Michel

 

Japanese rock music occupies a weird space in 2013. In terms of sales, pop music still holds a stranglehold on the charts. The J-Rock albums moving the most units today come from bands that have been around for a really long time – 1990s staples like Mr. Children or 2000s’ juggernauts Bump Of Chicken. But the scene isn’t all throwback acts. A new wave of groups that incubated during the mid-00s are coming into their own now: hard rocking outfits like ONE OK ROCK and Maximum The Hormone, along with groups blending guitars with dance music like Sakanaction have made big splashes nationally this year. 

 

Yet none of those bands are particularly new, they’ve been working away for some time, and are just hitting their stride now. What does the future of J-Rock hold? Here are eight bands we think have potential to be the next generation of great rock music in Japan.

 

Mitsume 

https://soundcloud.com/mitsume/utsuro

Tokyo’s indie-rock scene is a sprawling, fragmented beast, and it can be tough for a band to breakthrough and attract more widespread attention. Yet quartet Mitsume did just that over the past couple of years. They’ve gone from playing tiny clubs in the hipper parts of town to having their albums on sale at national chains and appearing at this year’s Fuji Rock Festival. Even more impressive, they’ve been grabbing more attention using repetitive grooves that hide experimentation beneath hypnotic melodies. A song like latest single “Utsuro†is deceptively simple, but they work in interesting electronic sounds and a pretty sweet guitar solo into the whole package.

 

White Ash 

One of the best ways to gauge what direction a rock band is trending is to check Japanese summer festival line-ups. Raucous four-piece White Ash can proudly say they are on the upswing – they appeared on the bill for several prominent fests in 2013, including the huge Rock In Japan and Summer Sonic events. They pulled this off thanks to an aggressive approach that shows off their technical prowess without overdoing it. They might do the whole start-stop thing, but they make sure the hook is a big shout-along.

 

Applicat Spectra 

https://soundcloud.com/applicat-spectra/sample-40sec

Formed in 2010, Applicat Spectra are supported by the same label that helped make groups like ONE OK ROCK and Flumpool some of the biggest names in Japanese rock. They are being positioned as a big name for the next wave of J-Rock, and are off to a good start. They released their debut album “Spectacle Orchestra†in 2012, grabbing listeners thanks to a sound unafraid to bring in dance elements and arena-ready hooks courtesy of lead singer Shinichi Nakano.

 

 

Homecomings 

https://soundcloud.com/secondroyal/i-want-to-back-acoustic

Over the past few years, indie-pop music — simplistic, guitar-driven stuff usually featuring lovelorn lyrics — has experienced a boom. Of all the bands to pop out of this scene, Kyoto’s Homecomings are among the very best. The quartet don’t introduce anything particularly complicated into their music, they just do it better than most. This year’s debut album “Homecoming With Me†finds them flexing their ability to write hoppy tunes bolstered by choruses featuring lovely harmonizing.

 

Cero 

https://soundcloud.com/kakubarythm/cero-my-lost-city-digest-1

Cero, at one point, didn’t seem all that intriguing. Their early material was a mix of mid-tempo rockers and slower tunes bordering on being sea shanties. Then, in 2012, they released their sophomore album My Lost City. It was a blast of color from the trio – all handclaps, vocal harmonizing, horns, crisp synth lines, and all-together-now singing that made the whole package feel inspired by a DIY drama club. It was a wonderful record that brought about increased sales and media attention. (And it makes them worth keeping an eye on.

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Moscow Club 

https://soundcloud.com/wearemoscowclub/peoples-potential-unlimited

Earlier this year, young Tokyo outfit Moscow Club pulled off something few small bands in the Japanese capital’s indie-rock scene could pull off – they crowdfunded their debut album Station M.C.C.B. And they deserved every bit of that financial support – Moscow Club is one of the most versatile projects going in Japan today. They can swing between synth-driven pop music suitable for the dancefloor (“Peoples Potential Unlimited,†the Ray-Bradbury-homage “Fahrenheit 451â€) to guitar-anchored tunes built for summer afternoons (“Lizaveta,†“Bikinikillâ€). The people have spoken and they are right about these guys.

 

Merpeoples

https://soundcloud.com/merpeoples/picasso

This four-piece primarily deals in herky-jerky, locked-in grooves guided forward by entrancing vocals. The actual music sounds like it is seconds from falling apart — guitars sound harsh, keyboards sound chintzy, yet Merpeoples pull it all together to form irresistible songs. They also make sure to just have fun sometimes. Their most well-known song is a

of ’80s J-Rock number “Ikenai Rouge Magic.†

 

Sekai No Owari 

https://soundcloud.com/mp3roll5/sekai-no-owari-starlight

Every other band on this list has yet to climb to the proverbial summit of J-Rock, all of them heading in the right direction but not quite in the spotlight just yet. That is not the case with Sekai No Owari. This four piece has achieved a lot of success in only a few years…they’ve grabbed top chart positions, prestigious Japanese awards and played huge shows. MTV Iggy even interviewed them late last year. They might be showered in accolades, but they are still very young and very much part of the J-Rock’s future. Source!

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Ughh, Mitsume... I've been pushing them quite a bit in the JRock thread and I'm glad to see them included here.

 

 

 

 

 

Moscow Club has quite a bit of buzz around them for quite a while. Glad to see them on the list too.

 

I feel as if Sekai No Owari has made it in comparison to these other bands.

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