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[Natalie Music] Shishido Kavka


Owatari

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[Natalie Music] Shishido Kavka

 

Translated by Owatari @ www.onehallyu.com

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theme - performed by shishido Kavka

This is the opening. From here the fun time starts with a lively opening, this was created/produced by the producers I always use for my music, Satoru Hirade and Kenji Oshima. In looking at the whole picture of the album, everyone's first thoughts were, "I want this to become something amazing." I was thinking of introducing my drumming up until now and created this piece.

 

Bane no Uta ft. Hiroto Kimouto

 

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With a song filled with a lot of words of charm in the "Hiroto session," it's a song that conveys the feeling of Hiroto-san's  sweat and live performances. But if I talk from a drummer's standpoint, it's a powerful simple song, on the other hand inside my music there are a lot of first at bats so it's a great song (laughs).

Don't be love ft. Kazuyoshi Saito

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This was something I sang while imaging the world of the drama while it was still in the production stages, but the time I met the heroine, Ishida Yuriko-san, I heard the image of my own position and noticed the color (impression) it showed. It was an honor

Trans fatty acid - feat. KenKen

 

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I talked about this in the interview a lot, but KenKen created the route of my drumming, his idea closed the gap in performance skillfully in this song. The truth is, this song became one of the top request on radio. From that a good groove was born, and to the listeners I think it was something they felt was brand-new.

Ano Natsu, Kimi ga Miteta Mono - feat. YO-KING

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Somehow this songs construction had the atmosphere of vocals only on the day of recording. On that day we would say, "should we change this part twice or 4 more times, I still don't know." We decided as we tried (different things) and it's a song from our best session. If we use this phrase, the next should be this way," we would say. It's a song where the circumstances kept changing.

 

Don't Be Love (Arranged by OHASHI TRIO)

 

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In this version, we changed the vocals in a new recording. Since I never put out a voice like this, I had to study how to (laughs). I entered the production with the image of being "here in a dark bar" or something like "a place adults meet." You could say this is the most surprising, a product of everyone's reactions.

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