renn 1,158 Posted March 1, 2015 Share Posted March 1, 2015 HITA - | Absence NB: This is not an official piece of musical work. It sets original Mandarin lyrics to the instrumentals of another preexisting Cantonese song. Original song: “ †/ Angkor Wat (composed by 陈ç€/Chen Po; performed by å´é›¨éœ/Kary Ng)Lyrics: 江眉妩 (Jiang Mei Wu)Performer: HITAPost-production: 花哑 (Hua Ya) Lyrics translation by renn at www.onehallyu.com 从一眼开始解冻甘愿 将最åŽé›ªè‰²æ‹±é€æœ‰å¹¸å€Ÿä½ ç¿çƒ‚ 于å¤å¤œæ”¶æ‹¢æ¸…风æ¥å»¶ç»ä½ 身åŽä¸‰åˆ†æ˜¥æ„浓cóng yÄ« yÇŽn kÄi shÇ jiÄ› dònggÄn yuà n / jiÄng zuì hòu xuÄ› sè gÇ’ng sòngyÇ’u xìng jiè nÇ cà n là n / yú xià yè shÅu lÇ’ng qÄ«ng fÄ“nglái yán xù nÇ shÄ“n hòu sÄn fÄ“n chÅ«n yì nóngStarting from a single look, thaw,Willing to surrender and give away the last of the snowy scenery.[i'm] fortunate to be able to borrow your splendor, gathering together the cool wind on a summer's nightTo continue the three parts of spring atmosphere[1], thick in the air, behind you.有æ¥ä¿¡ç™¾èˆ¬é»˜è¯µç—¼ç–¾ 饮下良è¯äº¦ä½œç—›é¥¶æ˜¯æ‰å放纵 也åªå¾—三å¥ç©ºæ´žè‡ªå½“将赘è¯åžåç¼å…¥è…¹ä¸yÇ’u lái xìn bÇŽi bÄn mò sònggù jà / yÇn xià liáng yà o yì zuò tòngráo shì cái mÃng fà ng zòng / yÄ› zhÇ dé sÄn jù kÅng dòngzì dÄng jiÄng zhuì yÇ” tÅ«n tÇ” féng rù fù zhÅng[When] there are incoming letters, I silently recite them over and over.[My] chronic ailment still causes pain despite the consumption of good medicine.Even if [my] talents and fame are bold and unrestrained, nonetheless receive only three empty sentences.Naturally, one should swallow and sew into one's abdomen the useless verbiage.*剜去未曾被æè¿‡æ»šæ»šä¸¤éåƒç–®ç™¾å”ä½ æˆ‘éš”ç€æš—ç«å€Ÿè¡Œæ–‡è§¦æ‘¸ç›¸é€¢ç¬”锋都ä¸ç¨³é‡ 末尾颤抖划下轰动å¿å¿‘è¿™å®‰ç¨³å²æœˆæ¬ 奉wÄn qù wèi céng bèi jiÄ“ guò gÇ”n gÇ”n liÇŽng zÄo qiÄn chuÄng bÇŽi kÇ’ngnÇ wÇ’ gé zhe à n huÇ’ jiè xÃng wén chù mÅ xiÄng féngbÇ fÄ“ng dÅu bù wÄ›n zhòng / mò wÄ›i chà n dÇ’u huá xià hÅng dòngtÇŽn tè zhè Än wÄ›n suì yuè qià n fèng gouge away [the scars] that have never been peeled away before, [the scars from] the mass of gaping wounds[2] that had twice violently riddled [my] body.You and I, separated by a fire whose flames are invisible to the naked eye, use writing as a means of touching and meeting one another.Even the tip of [my] writing brush is not steady; the end [of the stroke] trembles, drawing out a stirring disturbance.[i'm] apprehensive that these safe and secure times haven't been paid enough reverence.赤å£ç™½èˆŒä¸”装è‹ä¿—论 ä»»ç”±å®ƒæœ‰æƒæ— ææˆ‘自写我情衷 ä½ è°‘è¨€èª‰ä¸ºæƒ…ç§è¯¸æˆç½¢å—¤ä¼—人ä¸è§£å¾—平庸chì kÇ’u bái shé qiÄ› zhuÄng lóngsú lùn / rèn yóu tÄ yÇ’u shì wú kÇ’ngwÇ’ zì xiÄ› wÇ’ qÃng zhÅng / nÇ xuè yán yù wéi qÃng zhÇ’ngzhÅ« xì bà chÄ« zhòng rén bù jiÄ› dé pÃng yÅng[Faced with] talks of nonsense[3], [i'll] pretend to be deaf for the time being.Let the opinions born of common customs be secure in their knowledge that they have strong backing.I write my heartfelt emotions myself; you mockingly say that being reputed as an affectionate person,When all the plays have finished, [you'll] jeer at everyone for being unable to understand mediocrity.Repeat *拈出晚秋酒熟赴一场缺å¸å·²ä¹…的梦醒æ¥é¢˜å¥å¦‚神ä»ä¸è‚¯å¯é½¿æ±¹æ¶Œå¾…心血煎熬过 æˆå°±æ¤ç”Ÿé»˜è®¸å…ˆåŽæ¯å¯¸ç°å®‰æ”¾åŒä¸€æž¯å†¢niÄn chÅ« wÇŽn qiÅ« jiÇ” shú fù yÄ« chÇŽng quÄ“ xà yÇ jiÇ” de mèngxÇng lái tà jù rú shén réng bù kÄ›n qÇ chÇ xiÅng yÇ’ngdà i xÄ«n xuè jiÄn áo guò / chéng jiù cÇ shÄ“ng mò xÇ” xiÄn hòumÄ›i cùn huÄ« Än fà ng tóng yÄ« kÅ« zhÇ’ng pick up the matured wine of late autumn to go and attend a dream that [i've] been along absent from.[upon] waking up, the sentences flow from [my] pen with divine ease, [but I'm] still unwilling to [let them] surge violently from [my] mouth.After [my] heart's blood has suffered and helped make this lifetime's tacitly accepted priorities possible,Every inch of ash will be laid to rest in the same barren grave.T/N:[1] æ˜¥æ„ is literally the atmosphere/scenery of spring but can also figuratively refer to a desire for love.[2] åƒç–®ç™¾å” is literally a thousand sores/wounds, a hundred holes.[3] 赤å£ç™½èˆŒ is literally red mouth white tongue. Link to comment Share on other sites More sharing options...
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