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FoG

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  1. Could not agree more with you on this. The girls are making their comeback soon and they don't need to be reminded of how Jessica left the group. And I seriously don't care if she was kicked out or she left. Which ever way, she is no longer with the group and there is 8 of them now. We should give them our support since I think this is one of their most important comeback in their career. And should I say that I wasn't even a fan until now but I love their songs. So here wishing the girls best of luck.

     

    But some dumbfks wants to spam with her nonsense in this thread ,

     

    In this tread stupid  fans are like "OMG poor  jessica regrets not being able to greet the girls /fans  properly before leaving TTTTTTTTTTT "

     

    ^

    These are hilarious,when her actions are the exact opposite, She was the one who pulled the dick move to launch her name in media , no one forced her to leave without greeting any one properly. ,She as a head of B&E company and tied to tyler and their pr team obviously talked about her status to them and  decided  before posting her little victim story on sns..

     

     

    Also all her post are  to "my fan's" ,shows how much she cares for rest.

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  2. tumblr_npkh3rWqGr1tw9myyo1_500.jpg

     

    Can you seriouly stop all these nonsense from her  in this thread atleast, go stan apink or something instead

     

    Her media replies now are hilarious ...

    If she was so regretful why she trashed the girls and the group and their fans on her way out ,wtf

     

     

    -Some people need to fuckin realise those are all well made replies for magazine to promote her and her brand.

    -The fact is she trashed the rest on way out in the end.The  sugercoating with words doesn't change it .

     

    -Stay gullible but don't ruin it for snsd.They don't deserve their threads be spammed with these petty words from     some  one like her who was determined to trash them and their group for some big media exposure  and victim play .

     

     

    And here some some dumbfk ot9/jessica fan negs

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  3. this is kind of random but i've been reading cheese in trap  and i remembered how yoona was talked of getting the lead one.. obviously, people didn't want it like how she doesn't fit the role etc.. but i honestly think yoona could handle it tho

    Cheese in the trap is not even kbs or sbs or mbc but a cable drama..

    The male lead is not really promising either. Korean drama based on manhwa/mangas tends to flop so it is kindof risky

    She is safer  doing  a drama for public broadcast channel which generates higher ad revenue and has bigger audience  than a cable one.

  4. First,, you should read the Note I made... I'm already saying that unless you have a proof,, I won't Change the number and it's based on hall capacity (like what I wrote in note)..

     

    2nd t-ara never have a concert in saitama.. Ad for Kara,, someone informed me that they only use the 10k capacity for their 2nd japan tour but use bigger capacity for their 1st.. (Feel free to backtrack the page) same thing happened for 2ne1 saitama's concert..

     

    3rd which arena that I wrote higher than it's real capacity??

     

    4th you're bitching about 2ne1's concert in china at first place but now you said it's alright..

     

    5th if you have a list of the real number (with proof cause I'm already state that some of it based on hall capacity),, you should wrote it instead of keep bitching.. Again.. I will gladly change the list.. Thanks!

     

    i didn't say t-ara did a saitama,they cannot do a saitama.

     

    Tons of concert capacity that you copy pasted from  delusional fanpost of wiki,

     

    for 2ne1 ,kara ,tara, sistar etc have more attendence than actual possible capacity .

     

    I said about 2ne1 china leg at sanghai/guangzhou /and beijing ..not hongkong  and taiwan .both had like 7 K judging from pics.which is ok .

     

     

    First of all you change numbers or not this thread is still stupid.

     

    Going by your funny  logic of setting  attendence of any group based on the venue capacity ,any act with higher no of concert at a bigger venue irrespective of attendence would lead  by default even though another act actually got higher attendence.When the other one was performing for an empty crowd lol.

     

    Hall capacity is not =attendence .

    This is not how you judge a  tour when girl groups barely sell 2/3 of their tickets in many concerts.

    This thread would have made more sense concert capacity on attendence with "crowd pic".after consideing the venue capacity post stage setup

     

    May be I will post some stuff about their attendence later for when i have more time.

    • Dislike 5
  5. Ok.. So burst my bubble and prove it! Do you have any proof about that? Cause I won't change anything if you don't have any.. And I would gladly change if you have...

    Do i need to ? you just wrote attendence higher than ,its actual capacity after stage construction ,which already proved those are bogus.

     

    You or nobody have any proof 2ne1 got nearly 10 k other than their ph concert  .The hk and taiwan was alright.

    Similar case with t-ara ,and kara too they did concerts in saitama at 10k instead of 20K.None of them could show one pic with the said amount of attendence in wiki in those places i mentioned which already proved its bogus.

    lmao you copy pasted fanmade nusicance  from wiki for t-ara,kara,2ne1 .

    If they cannot provide any proof how do they claim they got such attendence based on hall capaicity lol.

     

     

    I would update my post with few pics later..

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  6.  

    Make this thread cause i'm kinda bored and it's kinda hard to found all girl groups concert info in one thread.. :)

     

     

    1. Girls' Generation

    • 79 Concerts with 896.000 Audiences
    • Held 1st Solo concert 2 years after debut

     

    Asia / World Tour Concert

     

    1. The 1st Asia Tour "Into The New World"

    Details:

    19-20 Dec 2009 --- Seoul, South Korea --- Olympic Fencing Stadium --- 13.000

    27-28 Feb 2010 --- Seoul, South Korea --- Olympic Fencing Stadium --- 13.000 (Encore)

    17 April 2010 --- Shanghai, China --- Shanghai, Indoor Stadium --- 7.000

    16-17 Oct 2010 --- Taipei, Taiwan --- Taipei Arena --- 24.000

    7 Concerts, 3 Cities, 57.000 Audiences

     

     

    2. 2011 Girls' Generation Tour

    Details:

    23-24 Jul 2011 --- Seoul, South Korea --- Olympic Gymnastic Arena --- 21.000

    09-11 Sep 2011 --- Taipei, Taiwan --- Taipei Arena --- 36.000

    09-10 Dec 2011 --- Kallang, SIngapore --- Singapore Indoor Stadium --- 16.000

    15 Jan 2012 --- Hongkong, Hongkong --- Asia World Arena --- 14.000

    12 Feb 2012 --- Bangkok, Thailand --- Impact Arena --- 11.000

    9 Concerts, 5 Cities, 98.000 Audiences

     

    3. 2013 GIrls Generation World Tour "Girls & Peace"

    Details:

    08-09 Jun 2013 --- Seoul, South Korea --- Olympic Gymnastic Arena --- 21.000

    20-21 Jul 2013 --- Taipei, Taiwan --- Taipei Arena --- 24.000

    14 Sep 2013 --- Jakarta, Indonesia --- Mata Elang Indoor Stadium --- 12.000

    12 Oct 2013 --- Kallang, Singapore --- Singapore Indoor Stadium --- 8.000

    09-10 Nov 2013 --- Hongkong, Hongkong --- Asia World Arena --- 28.000

    11 Jan 2014 --- Bangkok, Thailand --- Impact Arena --- 12.000

    15 Feb 2014 --- Macau, Macau --- Cotai Arena --- 11.000

    10 Concerts, 7 Cities, 116.000 Audiences

     

    Total Concerts + Audience : 26 Concerts with 271.000 audiences

     

    Japan Tour Concert

     

     

     

    1. The First Japan Arena Tour

    Details:

    31 May - 01 Jun 2011 --- Osaka --- Osaka-jÅ Hall --- 20.000

    04-05 Jun 2011 --- Saitama --- Saitama Super Arena --- 36.000

    17-18 & 28-29 Jun 2011 --- Tokyo --- Yoyogi National Stadium --- 48.000

    02-03 Jul --- Hiroshima --- Hiroshima Green Arena --- 16.000

    06-07 Jul 2011 --- Nagoya --- Nippon Gaishi Hall --- 16.000

    17-18 Jul 2011--- Fukuoka --- Marine Messe Fukuoka --- 22.000

    14 Concerts, 6 Cities, 158.000 Audiences

     

    2. Girls & Peace: 2nd Japan Tour

    Details:

    09-10 Feb 2013 --- Kobe --- Kobe World Kinen Hall --- 14.000

    16-17 Feb 2013 --- Saitama --- Saitama Super Arena --- 36.000

    23-24 Feb 2013 --- Niigata --- Toki Messe --- 18.000

    27-28 Feb 2013 --- Fukuoka --- Marine Messe Fukuoka --- 22.000

    09-10 Mar 2013 --- Hiroshima --- Hiroshima Green Arena --- 16.000

    19-20 Mar 2013 --- Saitama --- Saitama Super Arena --- 36.000

    26-27 Mar 2013 --- Osaka --- Osaka-jÅ Hall --- 20.000

    04-05 Apr 2013 --- Saitama --- SaitamaSuper Arena --- 36.000

    09-10 Apr 2013 --- Nagoya --- Nippon Gaishi Hall --- 16.000

    20-21 Apr 2013 --- Osaka --- Osaka Municipal Central Stadium --- 16.000

    20 Concerts, 7 Cities, 230.000 Audiences

     

    3. Girls' Generation Japan 3rd Tour 2014 "Love & Peace"

    Details:

    26-27 Apr 2014 --- Fukuoka --- Marine Messe Fukuoka --- 22.000

    06-07 May 2014 --- Hiroshima --- Hiroshima Green Arena --- 16.000

    23-25 May 2014 --- Kobe --- Kobe World Kinen Hall --- 21.000

    05-06 Jun 2014 --- Nagoya --- Nippon Gaishi Hall --- 16.000

    19-21 Jun 2014 --- Osaka --- Osaka-jÅ Hall --- 30.000

    28-29 Jun 2014 --- Saitama --- Saitama Super Arena --- 36.000

    11-13 Jul 2014 --- Tokyo --- Yoyogi National Stadium ---36.000

    17 Concerts, 7 Cities, 177.000 Audiences

     

    Total Concerts + Audience : 51 Concerts with 565.000 audiences

     

    Special:

     

    1. “Märchen Fantasy†concert

    22 Dec 2013 --- Seoul, South Korea --- KINTEX, Ilsan --- 6.000

     

    2. Girls' Generation The Best Live At Tokyo Dome

    09 Dec 2014 --- Tokyo Dome --- 55.000

     

     

     

     

    2. Kara

    • 39 Concerts With 403.500 Audiences
    • Held 1st Solo concert 5 years after debut

     

    Karasia

     

    1. 1st Japan Tour (+ Seoul)

    Details:

    28-19 Feb 2012 --- Seoul, South Korea --- Olympic Gymnastic Arena --- 20.000

    14-15 Apr 2012 --- Yokohama, Japan --- Yokohama Arena --- 26.000

    18-19 Apr 2012 --- Nagoya, Japan --- Nippon Gaishi Hall --- 16.000

    27-28 Apr 2012 --- Osaka, Japan --- Osaka-jÅ Hall --- 20.000

    30 Apr - 01 May 2012 --- Fukuoka, Japan --- Marine Messe Fukuoka --- 22.000

    16-17 May 2012 --- Tokyo, Japan --- Yoyogi National Stadium ---24.000

    26-27 May 2012 --- Saitama, Japan --- Saitama Super Arena --- 36.000

    14 Concerts, 7 Cities, 164.000 Audiences

    2. 2nd Japan Tour

     

    Details:

    08-09 Oct 2013 --- Yokohama --- Yokohama Arena --- 26.000

    16-17 Oct 2013 --- Fukuoka --- Marine Messe Fukuoka --- 22.000

    23-24 Oct 2013 --- Osaka --- Osaka-jÅ Hall --- 20.000

    29-30 Oct 2013 --- Nagoya --- Nippon Gaishi Hall --- 16.000

    09-10 Nov 2013 --- Fukui --- Sun Dome Fukui --- 16.000

    19-20 Nov 2013 --- Saitama --- Saitama Super Arena --- 22.000

    23-24 Nov 2013 --- Kobe --- Kobe World Kinen Hall --- 14.000

    14 Concerts, 7 Cities, 136.000 Audiences

     

    3. 3rd Japan Tour

     

    Details:

    24-25 Oct 2014 --- Fukuoka --- Fukuoka Sunpalace --- 4.000 (?)

    27 Oct 2014 --- Nagoya --- Nagoya Congress Center --- 3.000 (?)

    03 Nov 2014 --- Okayama --- Kurashiki Civic Hall --- 1.500 (?)

    05 Nov 2014 --- Kanazawa --- Forest Hall of Ishikawa Kanazawa Honda --- 1.500 (?)

    06 Nov 2014 --- Niigata --- Niigata Prefectural Civic Hall --- 1.500 (?)

    14-15 Nov 2014 --- Osaka --- Osaka Municipal Central Stadium --- 16.000

    18-19 Nov 2014 --- Yokohama --- Yokohama Arena --- 26.000

    10 Concerts, 7 Cities, 53.500 Audiences

     

     

    Special: Karasia 2013 in Tokyo Dome

     

    06 Jan 2013 --- Tokyo Dome --- 50.000

     

     

    3. 2NE1

    • 45 Concerts with 390.200 Audiences
    • Held 1st Solo concert 2 years after debut

     

    1. Nolza

    Details:

    26-28 Aug 2011 --- Seoul, South Korea --- Olympic Hall at Olympic Park Korea --- 7.200

    19-20 Sep 2011 --- Yokohama, Japan --- Yokohama Arena --- 26.000

    24-25 Sep 2011 --- Kobe, Japan --- Kobe World Kinen Hall --- 14.000

    01-02 Oct 2011 --- Chiba, Japan --- Makuhari Messe --- 18.000

    9 Concerts, 4 Cities, 65.200 Audiences

     

    2. New Evolution Global Tour

     

    Details:

    28-29 Jul 2012 --- Seoul, South Korea --- Olympic Gymnastic Arena --- 20.000

    17 Aug 2012 --- Newark, US --- Prudential Centre --- 7.000

    24 Aug 2012 --- Los Angeles, US --- Nokia Theatre L.A. Live --- 6.680

    31 Aug - 02 Sep 2012 --- Osaka, Japan --- Osaka-jÅ Hall --- 30.000

    07-08 Sep 2012 --- Nagoya, Japan --- Nippon Gaishi Hall --- 16.000

    11-12 Sep 2012 --- Yokohama, Japan --- Yokohama Arena --- 26.000

    29-30 Sep 2012 --- Saitama, Japan --- Saitama Super Arena --- 22.000

    16 Nov 2012 --- Taipei, Taiwan --- Taipei Arena --- 10.000

    01 Dec 2012 --- Kallang, SIngapore --- Singapore Indoor Stadium --- 8.000

    15 Cocerts, 9 Cities, 146.000 Audiences

     

    3. AON: All or Nothing World Tour

     

    Details:

    01-02 Mar 2014 --- Seoul, South Korea --- Olympic Handball Gymnasium --- 14.000

    22 Mar 2014 --- Hongkong, Hongkong --- Asia World Expo --- 8.000

    11 Apr 2014 --- Shanghai, China --- Shanghai Indoor Stadium --- 8.000

    19 Apr 2014 --- Beijing, China --- Mastercard Center --- 10.000

    26-27 Apr 2014 --- Taipei, Taiwan --- University of Taipei Gym --- 8.000

    14 May 2014 --- Manila, Philiphine --- Mall of Asia Arena --- 13.000

    24 May 2014 --- Kuala Lumpur, Malaysia --- Stadium Negara --- 7.000

    08 Jun 2014 --- Jakarta, Indonesia --- Mata Elang Indoor Stadium --- 7.000

    28 Jun 2014 --- Kallang, Singapore --- Singapore Indoor Stadium --- 8.000

    05-06 Jul 2014 --- Yokohama, Japan --- Yokohama Arena --- 26.000

    12-13 Jul 2014 --- Kobe, Japan --- Kobe World Kinen Hall --- 14.000

    02 Aug 2014 --- Yangon, Myanmar --- Myanmar Event Park --- 11.000

    10 Aug 2014 --- Ho Chi Minh City, Vietnam --- Phu Tho Indoor Stadium --- 6.000

    23 Aug 2014 --- Bangkok, Thailand --- Impact Arena --- 9.000

    20 Sep 2014 --- Guangzhou, China --- Guangzhuo International Sport Arena --- 10.000

    17 Oct 2014 --- Macau, Macau --- Cotai Arena --- 9.000

    20 Cncerts, 16 Cities, 168.000 Audiences

     

    4. 2NE1 The Party in Manila

    4 Jun 2011 --- Manila, Philiphine --- Smart Araneta Coliseum --- 11.000

     

     

     

    4. T-ara

    • 30 Concerts with 128.800 Audiences
    • Held 1st Solo concert 2 years after debut

    1. T-ara X'Mas Premium Live

    Details:

    20 Dec 2011 --- Tokyo, Japan --- Shinagawa Stella Ball --- 1.500

    21 Dec 2011 --- Nagoya, Japan --- Zepp Nagoya --- 1.500

    22 Dec 2011 --- Osaka, Japan --- Zepp Osaka --- 2.200

    3 Concerts, 3 Cities, 5.200 Audiences

     

    2. T-ara Japan Tour 2012; Jelwery Box

     

    Details:

    19-20 Jun 2012 --- Nagoya --- Aichi Prefectural Arts Theater --- 4.000

    22-24 Jun 2012 --- Osaka --- Osaka International Convention Center --- 6.900

    25-26 Jun 2012 --- Fukuoka --- Fukuoka SunPalace --- 4.000

    28 Jun 2012 --- Sendai --- Zepp Sendai --- 1.300

    30 Jun 2012 --- Hokaido --- Zepp Hokkaido --- 1.500

    25-26 Jul 2012 --- Tokyo --- Nippon Budokan --- 24.000

    11 Concerts, 6 Cities, 41.700 Audiences

     

    3. T-ara Japan Tour 2013; Treasure Box

     

    Details:

    4-5 Sep 2013 --- Fukuoka --- Fukuoka SunPalace --- 4.000

    7-8 Sep 2013 --- Kobe --- Kobe World Kinen Hall --- 14.000

    10-11 Sep 2013 --- Sapporo --- Nitori Cultural Hall --- 4.000

    15 Sep 2013 --- Nagoya --- Nagoya Congress Center --- 2.700

    26-27 Sep 2013 --- Tokyo --- Nippon Budokan --- 24.000

    9 Concerts, 5 Cities, 48.700 Audiences

     

    4. Others

     

    a. 2012: T-ara 1st Lovey Dovey Roly Poly Live in Bangkok

    03 Jun 2012 --- Bangkok, Thailand --- Bitec Bangna Hall EH 105 --- 6.000

    b. 2013: It's T-ara Time Live in Hong Kong

    10 Aug 2013 --- Hongkong, Hongkong --- AsiaWorld-Expo --- 8.000

    c. 2013: T-ara's On Air in Guangzhou

    21 Dec 2013 --- Guangzhou, China --- Guangzhou Tianhe Gymnasium --- 8.000

    d. 2014: T-ara's On Air in Chengdu

    19 Jan 2014 --- Chengdu, China --- Sichuan International Tennis Center --- 5.000

    e. 2014: T-ara Dear Family Concert

    25 Dec 2014 --- Seoul, South Korea --- COEX Auditorium --- 2.200

    f. 2014: T-ara 2014-2015 Tour in Shanghai

    27 Dec 2014 --- Shanghai, China --- Shanghai International Gymnastics Center --- 4.000

    Total: 5 Concert, 5 Cities, 33.200 Audiences

     

     

    5. Wonder Girls

    • 30 Concerts with 100.500 Audiences
    • Held 1st Solo concert 2 years after debut

     

    1. 1st Wonder Tour

    Details:

    28 Feb 2009 --- Bangkok, Tahiland --- Huamark Indoor Stadium --- 8.000

    21 Mar 2009 --- Seoul, South Korea --- KBS Hall in Busan --- 5.000

    28 Mar 2009 --- Seoul, South Korea --- Olympic Fencing Hall --- 8.000 (encore)

    01 Dec 2009 --- Shanghai, China --- Shanghai Grand Theater --- 8.000

    11 Dec 2010 --- Genting Highland, Malaysia --- Arena of Stars, Genting Highland --- 6.000

    17 Dec 2010 --- Hongkong, Hongkong --- AsiaWorld Expo --- 8.000

    6 Concerts, 6 Cities, 43.000 Audiences

     

    2. Wonder Girls World Tour

     

     

     

    Details:

    4 Jun 2010 --- Washington DC --- Warner Theater --- 1.800

    5 Jun 2010 --- Atlanta --- The Tabernacle --- 2.600

    6 Jun 2010 --- New York City --- Hammerstein Ballroom --- 3.500

    8 Jun 2010 --- Chicago --- House of Blues --- 1.300

    9 Jun 2010 --- Houston --- House of Blues --- 1.500

    10 Jun 2010 --- Dallas --- House of Blues --- 1.600

    11 Jun 2010 --- Los Angeles --- House of Blues --- 1.100

    12 Jun 2010 --- Anaheim --- House of Blues --- 1.100

    13 Jun 2010 --- San Francisco --- The Fillmore --- 1.100

    29 Jun 2010 --- Vancouver, Canada --- Vogue Theatre --- 1.100

    30 Jun 2010 --- Seattle --- Moore Theatre --- 1.400

    01 Jul 2010 --- San Francisco --- The Fillmore --- 1.100

    02 Jul 2010 --- San Diego --- House of Blues --- 1.100

    03 Jul 2010 --- Las Vegas --- House of Blues --- 2.000

    06 Jul 2010 --- Englewood --- Gothic Theatre --- 1.100

    07 Jul 2010 --- Chicago --- House of Blues --- 1.300

    10 Jul 2010 --- Toronto --- Mod Clunb Theatre --- 600

    12 Jul 2010 --- Mississauga --- Living Art Theatre --- 1.300

    16-17 Jul --- Honolulu, Hawai --- Pipeline Cafe --- 1.900

    20 Concerts, 18 Cities, 28.500 Audiences

     

     

     

    3. Wonder World tour

    07 Jul 2012 --- Seoul, Sout Korea --- Jamsil Indoor Stadium --- 10.000

    08 Sep 2012 --- Singapore, Singapore --- Resort World Santosa --- 5.000

    13 Oct 2012 --- Kuala Lumpur, Malaysia --- Stadium Negara --- 10.000

    03 Nov 2012 --- Jakarta, Indonesia --- Tennis Indoor Senayan --- 4.000

    4 Concert, 4 Cities, 29.000 Audiences

     

     

    6.Secret

    • 6 Concerts with 15.000 Audiences
    • Held 1st Solo concert 3 years after debut

    1. Secret 1st Japan Tour 'SECRET TIME' 2012

    5 Mar 2012 --- Osaka --- Zepp Osaka --- 2.500

    7 Mar 2012 --- Nagoya --- Zepp Nagoya --- 1.800

    8 Mar 2012 --- Tokyo --- Zepp Tokyo --- 2.700

    3 Concerts, 3 Cities, 7.000 Audiences

     

    2. SECRET Live in Singapore

     

    29 Mar 2013 --- Singapore, Singapore --- Sands Expo and Convention Center --- 5.000

     

    3. 2014 Secret’s Summer Live ~YooHoo~

     

    19 Jul 2014 --- Tokyo --- MAIHAMA Amphitheater --- 2.100

    21 Jul 2014 --- Osaka --- Matsushita IMP Hall --- 900

    2 Concerts, 2 Cities, 3.000 Audiences

     

     

    7. After School

    • 9 Concerts with 14.800 Audiences
    • Held 1st Solo concert 3 years after debut

     

    AFTERSCHOOL 1st Japan Tour -PLAYGIRLZ-

    Details:

    27 Apr 2012 --- Tokyo --- Zepp Tokyo --- 2.500

    28 Apr 2012 --- Nagoya --- Zepp Nagoya ---1.500

    30 Apr 2012 --- Osaka ---Namba Hatch ---1.500

    17 Jun 2012 --- Tokyo --- Tokyo Dome City Hall ---3.000

    4 Concerts. 3 Cities, 8.500 Audiences

     

    After School 2nd Japan Tour "Dress to SHINE

     

    21 Nov 2014 --- Tokyo --- Laforet Museum Roppongi ---1,300

    22 Nov 2014 (1 P.M) --- Tokyo --- Laforet Museum Roppongi ---1,300

    22 Nov 2014 (5 P.M) --- Tokyo ---Laforet Museum Roppongi ---1,300

    24 Nov 2014 (2 P.M) --- Osaka --- Dojima River Forum ---1,200

    24 Nov 2014 (6 P.M) --- Osaka ---Dojima River Forum ---1,200

    5 Concerts, 2 Cities, 6.300 Audiences

     

     

    8. Apink

    • 3 Concerts with 13.200 Audiences
    • Held 1st Solo concert 4 years after debut

     

    Pink Paradise

    30-31 Jan 2015 --- Seoul, South Korea --- Olympic Hall in Olympic Park --- 7.200

    22 Mar 2015 --- Singapore, Singapore --- The Max Pavilion, EXPO Hall 10 --- 6.000

    3 Concerts, 2 Cities, 13.200 Audiences

     

     

    9.Sistar

    • 3 Concerts with 9.000 Audiences
    • Held 1st Solo concert 2 years after debut

    1. 2012: Femme Fatale

     

    15 Sep 2012 --- Seoul, South Korea --- Olympic Hall --- 3.000

     

    2.Live Concert 'S'

     

    12 Oct 2012 --- Seoul, South Korea --- Olympic Hall --- 3.000

    02 Apr 2014 --- Hongkong, Hongkong --- Star Hall --- 3.000

    2 Concerts, 2 Cities, 6.000 Audiences

     

     

    10. Miss A

    • 2 Concerts with 7.000 Audiences
    • Held 1st Solo concert 4 years after debut

     

    Fans Party

    25 Jan 2014 --- Hongkong, Hongkong --- AsiaWorld Expo (Hall 8 & 10) --- 5.000

    12 Apr 2014 --- Beijing, China --- Thinkpad Space --- 2.000

    2 Concerts, 2 Cities, 7.000 Audiences

     

     

    11. 4Minute

    • 3 Concerts with 6.600 Audiences
    • Held 1st Solo concert 1 year after debut

    Others:

     

    a. 1st Concert “LIVE Energy Vol.1 MUZIKâ€

    08 May 2010 --- Tokyo, Japan --- Zepp Tokyo --- 2.700

    b. 2010: 4Minute Energy LIVE Volume 2: DIAMOND

    04 Dec 2010 --- Tokyo, Japan --- Zepp Tokyo --- 2.700

    05 Dec 2010 --- Osaka, Japan --- Dojima River Forum --- 1200

    c. 2013: 4Minute LIVE in Manila Volume 3:

    (Can't Found the Details.. let me know if you knew.. :) )

     

     

    12. Girls Day

    • 1 Concert with 2.000 Audiences
    • Held 1st Solo concert 4 years after debut

     

    Summer Party

    13 Jul 2014 --- Seoul, South Korea --- UNIQLO AX Hall, Gwangjingu --- 2.000

     

     

    12. Crayon Pop

    • 1 Concert with 2.000 Audiences
    • Held 1st Solo concert 1 year after debut

    2nd POPCON IN TOKYO

    15 Nov 2013 --- Tokyo, Japan --- Zepp DiverCity --- 2.000

     

     

    NOTE:

    • SOLO Concert ONLY... No join concert,, No FanMeet,, no Showcase!
    • The audiences number are counted roughly from hall/stadium capacity (minus stage).. and some numbers might be higher than the real number cause it's hard to get the real numbers
    • For small hall,, i'm using the real hall number (not minus stage)..
    • i'll update with concert setlist later..
    • Tell me if i missed anyone concerts or anything.. :)

     

    This is really misleading ,2ne1 never got more than 2-3 k for china leg,their concert in singapore vietnam,malaysia,thai con was not nearly as much as stated,their japanese concert was also done at a reduced capacity in many occations.

    • Dislike 6
  7. I agree it's not even remotely productive to come to the official thread to leave certain comments. I just can understand where they are coming from, although I don't agree with the way they act out.

     

     

    These kind of comments don't make us look too swift, either, to be honest. I find them to be as bad, if not worse, than the mega-trolls that roll in here.

     

    Definitely down for the the SNSD poll, though. It should be interesting.

    Stay delusional over the manuipulator .

    • Dislike 15
  8. It's great for KARA that they are doing well in Japan, but you would have to be delusional to suggest KARA has overtaken SNSD, overall, in the Japanese market. Selling out 55,000 seat stadiums, having number one DVD/Blu-Rays, etc. are still strong indicators of high level success. KARA couldn't do that now (although they could have in their prime).

     

    I'm a huge Jessica fan, but she had little to no impact on the creative foundation of the group. The SM infrastructure (contacts, engineers, producers, songwriters, session players, etc.) are all still there. The machine is still firmly behind SNSD. You still have eight talented members.

     

     

    Keep in mind Jess wrote her statement still as en employee of SM. She would have basically had no choice but to point the blame towards the other eight members, regardless if that was the truth or not.

     

     

     

    Maybe SM really did have a problem with it, since they wouldn't be making money like they do off of other member activities. The bottom line is we just don't know. We aren't going to know for a long time, since it's probable SNSD and Jess eventually came to an agreement (with non-disclosure clauses) to dissolve her contract. Jessica's side always seemed to make a bit more sense to me, though, because I don't think she would have re-upped her contract had she gotten so much resistance to her business. She could have made a fortune as a free agent on the open market, signed with an SM competitor, AND launched her business.

     

    I still think it's a blow to the group (fans don't want to see the politics behind the scenes), but the one good thing about it is that it opens up some more parts for other members. The group is loaded with unique vocal talent from top to bottom. Hyo, Yuri, Yoona, and Sooyoung sounded fantastic on CMIYC.

    That is exactly the dick move I was talking about,she never dared put a share of the blame to SM but was determined to make the other girls the evil for her business.

    Blaming SM any more would most certainly ruin her carrier in the industry like  so.

    SM is the employer of snsd not the girls them self,the other girls may had problem with how she managed things with her ,but SM being their employer would make them sit together until they sort out a solution .But even then the former member went off pissing every one .

     

    Bottom line is she tried to ruin the group discarding the other 8 and all the fans of snsd  in her selfishness .

     

    So people shouldn't be so dumb to wish such type of member  was still in the group. 

     

     

     

    So

    The actual good thing is snsd got rid of a trouble some member who was annoying the hell out of the rest for years ,even though it may have resulted to loss some of her's as much annoying fans from snsd.

    And some sone stopped supporting an undeserving member .

    • Like 4
    • Dislike 7
  9. Never asked any one to read my post ,don't whine if you get butthurt after reading my post.

     

    I want to make some things clear about CMIYC

     

    1. CMIYC is not doing as badly as some people try to make it seem like. Some kara fan are telling how they are selling better than snsd now because they registered more number on oricon,

     

    but  they don't know that kara had to do handshake event/polaroid photoshoot  event before releasing their single and later they did  2 more fan event( one today at osaka) where cd were bundledwith lottery for that event +a lot more gimmick with official fanclub members is also added for them

    They are just trying to mediaplay of being successful by doing gimmick to get no1 on daily in a dead week.So people pays more attention to them

    Actually below 10 k people bought their singles.

     

    Some other hater claimed apink sold 50K in a week ,but they also totally ignored the fact that apink did 4 fanmeetings where lotterytickets were bundled with singles ,so fans kept buying the cheap cdversions ,hence ss showed near 7K for each version.Actually near 7 k people bought their singles

     

    They both falls low off chart after the fanmeet.

     

    When UMJ released CMIYC in a week with HKT48,BoC ,Jsoul brothers,,we could have already guessed that umj was not trying to get no1 with snsd this time CMIYC was more of a fanservice .

     

    So they  look satisfied with how things are.SNSD's merchandise sales and 2 fanmeets and sone + membership fees  would make much more revenue than such singles.

     

    2.If jessica was there,their sales were not gonna change magically, ,The sales in japanese market is declining  for all acts .only gimmick is increasing.

     

    No point worrying over a Jessica  ,she not just tried to be the victim for sympathy support and mediaplay in china  but also tried to destroy the group's name before the world  by implying " the evil 8 kicked out the innocent member who gave her best  in jealousy".

     

    Seriously I don't get how dumb some sone have to be to not realise the effect ,impact and correspondence of her selfish and butthurt action  to wish jessica was still there .

    I think , its a good riddence ,the other 8member wouldn't have to suffer internally because of such dick member.

    • Like 10
    • Dislike 16
  10. snsd have been trending higher in melon than any other GG in general  except apink( aPINK trended higher for 4month ) since they made a comeback in november ,

     

     

    EXID: peak was in april and its still less than snsd lowest stat.

     

    Exid_melon_chart.png

     

    4minuite .Their avg is near 100K and their peak was 612k during feb which is 4K higher than snsd's 609K since 4m made a comeback that month

     

    melon_search_4m.png

     

    Sistar:Their peak trend is 465K snsd's lowest is 516K ,so obviously people were searching for snsd more in melon

    melon_search_sistar.png

     

    RV:Their avg is near 100-200K their peak was 589K(march), they were leading in march only among the gg when they made their comeback

     

     

    melon_search_rv.png

     

    SNSD's lowest was in march 516K there rest were all above ,sistar/gsd/2ne1/exid/

     

     

     

    snsd_melon_chart.png

     

     

    A song's charting on melon digital chart depends highly on song quality,melon trends not the same,melon trends  is about how much melon users are interested in certain acts .

    Other than those acts  which made comeback recently,the  older acts that keeps trending on melon shows how much melon users are curios or interested in those acts.

     

     

    This proves public is as usual curious about what snsd will bring next .

    SM have to play the right cards .

     

    April

     

    1.IU
    2.Park Hyo Shin
    3.EXO
    4.SanE
    5.ëŒ€ë‚®ì— í•œ ì´ë³„
    6.BigBang
    7.Maroon5
    8.MC the Max
    9.Jung Seung Hwan
    10.Huh guk
    11.Lee Moon Se
    12.Davichi
    13.Busker Busker
    14.GirlS'Generation
    15.Noel
    16.Sung SI kYUNG
    17.k.Will
    18.JYPark
    19. MissA
    20.pRIMARY
    21.bLOCK b
    22.Spider
    23.Exid
    24.FuriousOst
    25 Dok2

     

    SNSD was still higher than MissA and exid who had big  digital success in april.

     

    (for ggs obv)

    • Like 20
  11.  

     
     

     

     

    honestly, you're really starting to piss me off

     

    what do you have against the dance line?

     

    first of all, SooYulHyoYoon are very capable. not only they all improved but they're also better than some lead vocals from other kpop groups, believe it or not.

    and in cse you didn't know, Sooyoung was actually going to be part of the vocal line, until she was replaced by Sunny.

     

     

    second of all, SNSD's songs don't lose their quality just because the dancers have more lines than usual. Catch me if you can didn't do so well, but that's NOT because the dance line contributed to the majority of the song

     

     

    third but no less important, stop being pressed. it was ONE SONG, out the 150 more they have. do you have any idea how little they used to sing? Yoona had a miserable "alright" in "Bad girl", while Hyoyeon had a miserable "flash" in "Gossip girl"

    they're sub vocals, i get that. but it was still PRETTY BAD. one freakin' line wouldn't hurt, but instead they got a freakin' WORD

     so i really like the fact that SM is FINALLY giving them decent lines. i honestly don't care if the only reason this is happening is because there's one less member

    what matters is that they're finally singing for more than 5 seconds and i hope it continues that way

     

     

     

    oh and btw, they DON'T NEED vocal engineers. they already have pretty vocals and they can sing decently

     

     

    thank you very much

     

    You are an apink stan who got who undermined taeyeon when she won in some akp poll over that apink singer.so you wouldn't not get the snsd lead singer's importance.

     

    I have nothing against dance line,I only wish for the best of snsd and what sm were doing recently  were not what i wished for and so as I expected  the results were pretty underwhelming .

     

    They are all good yes but  can always do better and there are ways to improve the group .

    But I  dislike the shy thing that some vocal sone are ranting so hard and undermines the singers ,and because of that i hope snsd korean title songs don't get impacted.

     

    Those fans probably don't even care if snsd flops as long as they see shy singing lol.And are not even actual snsd fan.

    • Like 2
    • Dislike 13
  12. No. The problem doesn't lies with the distributions of lines. The problem lies with the track itself. If it is not public friendly, it is not public friendly. Period. You can get Taeyeon to sing 100% of Mr Mr and it would still not hit the mel0n roof.

     

    Like I said earlier, previous Soshi hits did not have the ridiculous line distributions that you are advocating for and still hit daebak. And also, all our girls can hold a tune. They are not just placeholders put in the group to "rap". They can all sing. 

    Lol mrmr already hit melon roof and with taeyeon singing more lines it would have done better digitally.and not got criticism like that.

     

     Better singers can make even a bad song listenable.

     

    And whats gone is gone, previously they use to have 5 vocalist ,now they lost 1 of the better one.Its not the same now. They will do so so with more equal distribution,but if they wanted to hit it "really big" and better than before like bigbang they needs to implement something like what i sald .The line distribution in korean song before snsd become 8 was ok ,what I fear is after one member's leave the dance line would get more lines then they use to,which may  turn snsd into suju/tvxq like in digital.

     

    And iam not saying the problem is just  line distribution,the line distribution that i mentioned will better snsd digitals by a lot.And ofcourse we need a good song .

    But it is necessary to use the good song in  a  manner which would provide the best result ,like yg does with their singers.

    • Dislike 4
  13. Why would a Taeganger want to listen to a title song which has 60% Taeyeon when she can listen to an OST with 100% of Taeyeon?

    Why would a Sone settle to listen to a title song which has 60% of a single member when she stans the group as a whole?

     

    Also, a friendly reminder that all of their songs, including their hits, do not have Taeyeon singing the majority of the parts. Your argument is flawed and you need to stop trying to make this work.

     

    But the rest of your points made some sense. 

    Its was never about about just making taeyeonfans listening the song ,the rest of the girls sing too ..Its about making pubic listen to the song..

     

    She is the singer that public cares to listen.A good singer singing many lines can even make a group below par in ovEr all vocal sound good .

     

    Imagine you made a group with popular idols like hyeri,hani and iu ..

     

    And made iu sing just 2 lines in entire song while they made singtalker like hyeri sing most lines....The song will most likely flop because public dont acknowled her singing .

     

    Where as if IU was given 70% of line she would carry the song to make it a hit  because public likes listening to her singing and acknowledges her singing talent .

     

    This is the same case with taeyeon.

     

    It really baffles me how underutilised snsd vocalist have been in past few years. When its the vocalist that provides the most boost in digitals .

     

     

     

     

     

    For eg this group .Has only 2 vocalist but they are digital king because their song sound better than any other male idiol group now in japan because all their songs are sung by the people who can sing instead of dancers .

     

     

     

     

     

     

     

    You see in bigbang comeback song loser seungri hardly get even 1 line even though he have biggest fanbase after GD in Bigbang , he only appears on the video THATS ALL ,

    Because yg dont want the song to be ruined by a noob singer .

     

     sm should act smart too,and  give most of the line on the song audio to the better singers so they don't suffer on digitals after losing a  lead vocalist .

     

    And not make the song sound like  girls of school talent show singing .And release the song after proper and detailed vocal engineering work on the lesser abled singers just like yg

    • Like 2
    • Dislike 2
  14. Things that SM needs to do from my pov to make snsd next comeback a big hit.

     

    1. Give more lines to taeyeon 60-50% of the title song ,This will certainly add a lot on digitals points.

      Make vocal engineers to work in on dancer's lines to make up for their lack in vocal prowess like yg does with  2ne1.

      This will make the whole song sound a lot better  overall to melon listeners .

     

    2. Avoiding  overexposure before the comeback.

    overexposure is one of the main thing that kills their hype.Tease people about their comeback without showing their looks.

    Make the girls away from media 100% for 2 month ,no selca on ig at all .This will heightend anticipaton and curiosity about their comeback.

     

    3.A great video .A good video determines the success of a kpop act.The underwhelming result of mrmr is mostly due to its below par mv

     

    4.No shitty remake of an already leaked demo song.

     

    5.No leak of dance or song snippet .

     

    6.Release the mv and song at the same time .Not one earlier than the other.

     

    6.A good song made with lots of details and effort .Not a lame song like hollar.

    • Dislike 11
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