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Everything posted by RE!
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15& Releases Comic Teasers for Comeback Single “Love Is Madness†The female duo 15& has released a teaser for their comeback single, “Love Is Madness.†The teaser for the duo that was revealed midnight on February 4 is made up of two two-cut comics. In the teaser cuts, Park Ji Min is eating a Valentine’s Day chocolate that she made herself, and is lying on the floor while watching TV. Baek Ye Rin has lied to her mom, saying that she has a date, but in fact, she goes to the“Show for People Who Agree that Love Is Madness,†lightheartedly making fun of couples. 15& breaks out of the cliche frame of love glorification and comes back with something new, sending the bold message that love is madness. The lyrics realistically tell stories of breakups and love, and the listeners are easily able to relate to the lyrics. Meanwhile, 15& will release the digital track for “Love Is Madness†on February 9, and on February 14, Valentine’s Day, they will put on the “Show for People Who Agree that Love Is Madness.†cr Soompi It looks really interesting already
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Heart to Heart
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Great 15& always release something when K Pop Star airing so they probably have comeback stage on K Pop Star again
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I got really bored when reading Tokyo Ghoul, so Kiseijuu is a better manga for me (nevermind the artwork tho) Parasyte anime has different feel (and artwork) from the manga so I watched it and enjoyed it But unfortunately for Tokyo Ghoul, because I already read the manga (and feeling meh) I don't have any reason to watch the anime So yeah, Kiseijuu all the way
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Natsume Yuujinchou (it's categorized as shoujo and running in Hana to Yume magazine, but doesn't have any romance whatsoever) Koi Dano Ai Dano (and its prequel Warau no Kanoko sama) 7 Seeds (survival in post apocalyptic Japan) Last Game (it's really cute) Beauty Pop (complete) Heroine Shikaku (complete) JOSEI (aim for young adult) Kuragehime Dame na Watahi ni Koishite Kudasai Ghost Hunt
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ONGOING DRAMA Ouroboros Maru Maru Tsuma Gakkou no Kaidan
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I just watched the third episode, it's getting better and better I have a theory about who Kei was but it rather grim.........
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- Gakkou no Kaidan
- Hirose Suzu
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https://www.youtube.com/watch?v=fi1JooS6l3w Youngjae character got a hair extension lol
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Wait, wasn't Jimin wear short last week? (the Benjimin episode) But her top is rather long, so the short not really looks like a short
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I just watched Mad Clown in Weekly Idol, he's so adorable (unexpectedly) http://www.dailymotion.com/video/x2fk2xc_eng-sub-150121-weekly-idol-mad-clown-junggigo-jooyoung_fun
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- Mad Clown
- Official Thread
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Fans who have the real Polaroid photo (from Identify album) are eligible to attend --- Dream Knight airs about 11 KST right? It seems I can't watch it live -,-
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OH!Snap [GIRLSCHANNEL:JPN] An Increase in Tattoos among Japanese Stars
RE! replied to Owatari's topic in Translations
I guess the image of tatto started to change in Japan, Yakuza gave bad rep for tatto (but some of yakuza tatto is beautiful tho--particularly in movie idk in real life lol)- 15 replies
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Hello, I'm a semi-lurking member here XD, only come out once in a while. Just call me REI I think most of us blown away by Jimin rendition of Rolling in the Deep, I remember that's the thing that made me kept an eye on her debut with 15&. Personally I agree with Yerin that 'I Dream' is beautiful and it had so much meaning for the girls (critics don't agree tho) I can't watch any new Jimin videos right now >___< so I'm just spazzing here and reading ASC ep 138 utube comments. BenJimin show need to happen. After or before Jackmin show, it doesn't matter, ASC
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Congratz boys, I hope Yugyeom and Bambam not really sad when watching on TV GOT7 performance screen shot was taken in really interesting pose
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I haven't watch this episode yet and skimming through to see RM rating, but nonetheless the comments still catch my eyes :p I'm gonna keep my expectation down then, and here I though Lee Seo Jin would be a fun guest. His grumpy character really entertaining when he's pairing with PD Na (in Over Flower or Three Meals)-- PD Na is the only (younger) guy who can pick on Seo Jin, but both shows relatively more relaxing than RM. EDIT: I forgot to put my impression for ep 229 lol, Lee Seo Jin was great, his grumpy style put a different dynamic among RM members (I can see them have a lot of fun teasing Seo Jin) I'm used to Seo Jin grumpiness, and apparently Korean too judging from the ratings
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- Running Man
- Yoo Jae Suk
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'Hitmaker' raises excitement with another preview for Big Byung's upcoming MV MBC Every1's 'Hitmaker' has released another preview of Big Byung filming their next MV, which may even surpass their past hit "Stress Come On!"! Brave Duble Tiger (Jung Hyung Don & Defconn) previously filmed the MV in Macau without Big Byung. So, now it was time for Big Byung to use special effects to include themselves in the MV! The boys upgraded their signature black-and-white look with expensive clothing this time o match the luxurious backdrop. Stay tuned for another episode this Friday! cr:Akp
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Jackji Hitmaker cut
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So.. the new song was not yet revealed? Perhaps next episode Big Byung still in Hitmaker then, or Hitmaker format will be half-half for boy and girl group portion from now on https://www.youtube.com/watch?v=bNHzn9vbJ4s
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I watched it in gooddrama http://www.gooddrama.net/korean-drama/misaeng-special-01
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So..... apparently Jackson really believe he would go abroad... Big Byung receive their new song from Brave Duble Tiger on the 4th episode of 'Hitmaker' Brave Duble Tiger surprised Big Byung with the news that their second single has been made! While they sang about stress last time, this time the boys will be taking on the concept of stereotypes for this new song. After one listen, Big Byung all seemed to be on board and said it even surpassed "Stress Come on"! Their producers revealed that the song was actually supposed to be in Hyung Don & Dae Joon's album, but it didn't make the cut because the lyrics they previously wrote didn't fit the song. Brave Duble Tiger also got their wish to go on an overseas vacation, but revealed that there is only one other ticket available which Big Byung would have to compete for. After the members pleaded their case for why they should go on the trip, the hilarious producers conducted a stamina test to see who is ready to carry all the heavy luggage they'll bring. Wang Kong (Jackson) won the test by being the member to lift Jung Hyung Don up and down the most. Wang Kong was all excited at the thought of his first real overseas vacation, but it turns out he was in for a hidden camera prank as only Brave Duble Tiger and Wang Kong's manager knew that Wang Kong couldn't go because of his 'Music Bank' schedule that day. They drove all the way to the airport, but the two producers told Wang Kong to get back in the car to change. Wang Kong obliged, but to his dismay, the car drove off with him still inside! With their cruel yet hilarious prank, Jung Hyung Don and Defconn explained that they did try their best to get Wang Kong to go with them, but that the manager revealed that the scheduling couldn't work out. The Big Byung members also returned to their original groups to give each of them a listen at the new song, and practiced their most difficult rap yet. Meanwhile, Brave Duble Tiger, who landed at Macau, were in for a rude awakening when the staff told them that they had to film Big Byung's MV there without a prepared concept and noticeably, without Big Byung! The preview for next week's episode also showed the entrance of 'Hitmaker's new girl group including After School's Lizzy, KARA's Youngji, 4minute's Sohyun, and G.NA. So stay tuned for more hilarious moments to come as you check out the latest episode above! source http://www.allkpop.com/article/2015/01/big-byung-receive-their-new-song-from-brave-duble-tiger-on-the-4th-episode-of-hitmaker
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PRN’s Top 50 Songs Of 2014: #5-1 – Ga-In, Younha, f(x), 15&, HA:TFELT [#2] 15& – “Shy Ma Boy†From: “Sugar†Released: May Territory: South Korea Previous Best Of Entries: 2013 – [#28] “Somebody†Other Notable Songs From 2014: “Sugarâ€, “Silly Boyâ€, “Rain & Cry†I adore Motown. I grew up with two types of music — brave jazz (none of the weak stuff people try to pass off for “jazzâ€) and Motown — and I also grew up with my dad explaining all the intricacies and even showing me how they’re done properly. Which is why I’m really particular about my Motown because I know it well, but I guess I’m really particular about everything. So when K-pop started drawing influences from Motown again (post-“Nobody“), I was anxious in both good and bad ways — the first few attempts were disappointing, and while they’ve gotten better over the years, no one has really gotten it right. Until 15&. I was just talking about “heat†with f(x)‘s “All Night“, and it’s the same, if not better, on “Shy Ma Boy.†The arrangement is sparse for the most part, and that’s why you can hear each punch of the brass line, the sharpness of the snaps, the character of the raw-sounding piano line. The attention to detail in the arrangement is precisely why “Shy Ma Boy†trumps all the competition. In the chorus alone, the brass goes from signaling the down beats in the first two lines, to gliding its way through the next, and then again mirroring the down beat. The instruments aren’t just loops that come in and out or several chords that alternate, they have their own “melodic†lines, so even if there’s not a lot happening in terms of volume, there’s a lot to listen to. But the arrangement is just half of what makes “Shy Ma Boy†such an outstanding song — the other half of course is Jimin and Yerin‘s vocals. Effortless. That’s really the only way I can describe their execution of the melody. It’s like they’re saying, “You want Motown? Here, take it — take it all.†Like the dynamics in the arrangement, the vocals are equally varied not just in terms of timbre or pitch but in terms of vocal technique. And that’s only possible because Jimin and Yerin can actually sing and actually have voices. The verses are subdued with short but intense vocal lines, then the song completely changes course at the bridge with more graceful, longer, and sustained lines in a higher range, and the chorus hits high notes left and right, but with a sense of grace. This is what happens when you don’t have to compromise on anything — when it’s not about a song bringing out good parts and hiding flaws, or a great singer giving a boring song some character. What you get is a polished, effortlessly outstanding package that is an absolute joy to listen to over and over and over again. source : http://www.asianjunkie.com/2015/01/prns-top-50-songs-of-2014-5-1-ga-in-younha-fx-15-hatfelt/
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