NoelVys

I'd watch that

Curious, how was Kyujin doing there?

If I may add-on, it can also sound like there's something stuck in your throat, another popular example is Nayeon.

Thanks for answering! (and answering a lot of my other questions in general)

I've asked before but how's the D5 at 28:52 https://youtu.be/liILGTpQcLk

This is a common debate on youtube. Karina, Nayeon, Rose and Jeongyeon, how do they compare to each other and does Karina have enough going for her to cross the threshold of Average tier? (i vaguely remember Jeongyeon has too little going for her to claim she's an Average, does high W-A sound accurate enough though?)

Ohh, I actually thought cord development meant both "strength" and "stretch" of vocal cords. I thought that the two were separately developed (kind of like muscle strength and muscle flexibility). Like Suhyun and Yuri, vocalists with good cord stretch (smoother legato, relatively easier time in the higher ranges since the vocal cords are well.. stretched) but they don't necessarily have much "chest coordination", which I understand comes from thicker, stronger cords (hence cord strength). Am I mistaken in my understanding?

I'm curious, does cord stretch have anything to do with the smoothness of legato and not breath management alone? (cord stretch specifically because I've noticed the people you listed, Average tiers who have a relatively easier time in the high mix, are ones praised for smoother legato lines than the rest of their peers) or is it not cord stretch alone, just cord development in general? Or are they not connected at all. (I'd also like to bring up Sohyang here since her strength as a vocalist from what I observed is great cord stretch and very smooth legato in the fifth octave) Additionally, does legato smoothness still matter among higher-than-Average tier vocalists? I'm guessing somewhere around Proficient it still does but above that it doesn't. Thanks!

Coming from you?

Sunny really sounds like Sana there

Girls on Top (the female superm) be frikin stacked in vocal ability though. Wendy + Taeyeon enough is awesome but the rest are pretty good too with BoA, Winter, Seulgi and Karina. Hyoyeon's not half bad too.

Hey yall still curious about the D5 in the end, I thought it was "resonant" since it kinda sounded a bit "brassy" and large

How'd Matt Bateman do in the end here (hits a D5) https://youtube.com/shorts/fo35qcNdcL8?feature=share

Apologies if it sounds demanding but I'm still quite curious about the D5

The D5 at 2:03, it's not supported correct? It's just bright and open? Or am I hearing things wrong. But it was better than the D5 that followed it at 2:22? (also, that's some unnatural vibrato at 2:01) Also, I'd like to ask what are all of your thoughts on the argument of belting and mixing being different laryngeal mechanisms and the mix ratio of chesty and heady being hogwash, because I'm kind of convinced that the arguments are true, but I'd still like to expand my perceptions

I guess this is where JYP's vocal budget went then

Does Kyuhyun still hold the title of the best idol vocalist?

Didn't Hayley have D5? Edit: after a bit of searching, I did see the consensus that she has C5/C#5. I thought she had D5 because last I heard she was Competent/Proficient tier. I thought Olivia was technically good though, with good Bb4s or is that just misconceptions on YouTube Are we really going to "shame" Billie for "straining" even though she's not a huge technical singer in the first place? Call me naive but it seems needlessly elitist, and that's saying something

There seems to be a drop in quality and less "ring" above C#5, no? Why is that?

I'd like to clarify if what I understand is correct or wrong The production of a strong, focused sound is the result of good vocal adduction/cord closure. Good vocal adduction, in turn, is a result of strong cords to withstand constantly rubbing against each other and good airflow-to-vocal cord management through good breath support (appoggio). The stronger the resistance of air, the stronger the sound. Hence, why a focused, strong sound is described here as "supported". I'd like to ask if, once developed enough, a vocalist doesn't need to concentrate on airflow management that much anymore since their cords have the strength and muscle memory to vibrate in high frequencies (like a B4 for sopranos).

Hey yall what do you think of the dubbed "Queen of Sustaining" (ngl rightfully so), Melba Moore?

Hey y'all, I'd still like to know the answer to this, if anyone has the time

Wendy's kinda looking like Nayeon in some angles The guy's voice is really rich and warm thoo, I want to say baritone but that's just going off the darkness in his voice.

Thanks! I'd actually like to ask another question about the lead in Descendants (and someone who's been compared to Ariana because of Hairspray I presume), Dove Cameron since the question has been floating around the YouTube comment section, how good are the fifth octave belts here (and her belting in general actually cause I think C5/C#5 is not a problem for her but people say she's got a grounded sound up to Eb5/E5) https://youtu.be/AETxFI_OUmEz 3:16 - 3:18 Side to Side climax cover (C5 - Eb5?) 3:34 sharp C#5 5:40 - 6:18 Listen cover, lots of D5s 7:18 D5/Eb5 7:35 C#5 8:09 D5 9:36 E5 9:55 Eb5 12:03 & 12:13 Helpless C5s

How good exactly is the Eb5 here at 0:20 https://youtu.be/GvzRWjZZbLs