Tsabar

I didn't know that we ended it... our amazing relationship just started, I am so devastated

Yeah but you didn't bring up the discussion you wanted bcoz you are more busy in insulting ppl... you didn't say one vocal related things since your first post...

They didn't understand you well, you said that YOU called Lily the worst person ever, not the thread. But you are way too rude, it really isn't that serious...

Ok, no body is stopping you from saying that, I personally don't even stan Aespa, some ppl here do, I hope that you feel better now that you said it... ? If you do want to say why you believe Karina isn't average feel and actually say your own opinion instead of criticizing others feel free to do so.

In both cases we lack material for the singers from both groups. Based on the material we DO have Karina's support quality is more on the average side but she didn't sing enough on the A4-B4 range to say much about her supported range. Gisele support more shallowly, Sullyoon is fairly shallow as well, when the vocalists don't support well it doesn't matter as much if they can handle a very light and shallow A4 or not ... that's how I personally understood the way this person ranked them. Anyway no need to be rude/angry ...

Thanks for checking her out ! @ZRH23 what did you think about the upper register in 2:05 ? in the video you looked at ...

@C.Y. It will be really interesting if you can write a bit about it

They gave an example in their last comment Zara Larson, I don't know her well. I am not sure if she can't support at all, she doesn't seem to be that shaky and choppy but it isn't an indication. 0:53 Bb4s are okay ? 3:18 Idk about this Bb4

Why are we not moving Sejeong to AA already ? 3:44 I don't think that Hwasa can sustain C5s like this rightnow...

Oh really ? wasn't she really nice on some mid belts in 2014 ? like here 1:51, 2:31, 4:11, 5:45 sound nice to me but idk Hyolyn in 2018/2019 that well... edit: Oh you are talking about her as an overall vocalist not just her belts ? if yes can I ask what made her better in 2018/2019 ?

Thanks for answering, she is 3rd as far as I understand, thats honestly better than I thought, I wasn't sure about some of those belts.

Thoughts on her ? does she really support on that wide of a range ? bcoz some of those mixed notes sound too thin and not well grounded to me

She sound nice on those ! thanks for answering

It have some things that are right and some things that are off, I can expend on that if you want. My criticism is that having so many lower tiers isn't needed, some F singers aren't even that different from some of the D singers. Also some of the strengths and weakness feels forced or are inaccurate, there are some off placements and wrong supported ranges as well obviously. @ZRH23I am interested in what you think about the ranking on 2:50-3:20, Swan's place specifically.

So Hyolyn's "meh approach" is less worse than Minhye's "meh approach" and thats why she does get P-G ? or is it the E5 that matter when rating them ?

It sounded to me like she tries more on the Bb4/B4s but she does sound tiered there

So where would you place her in the competent area ? And how about those notes ? 1:24 1:19-1:40, 3:14

@ZRH23 Lily and Heawon on a new cover, thoughts ?

Here is a video of the Ariana person that is mentioned here and on yt from to time for being rude and very anti blog terms, apparently they have a channel ...

@ZRH23/ @ParkHyoLeeThoughts on this video ? Was Sohyang that bad back in the days or did they over exaggerated it ?

They are not very off I guess but its still quite inaccurate and annoying : /

For Swan there isn't really a performance that standout but I agree that it seither speechless or this: Both are in studio though, if not in studio than I guess Twit was her best showcase ?

So forget about "supported" range, we have GOLDEN range now:

Wrong page

Here are some more clips of her in 2019: 2:44-2:52 some 4th octave notes 2:53 sustained G#4-A4-C5, 3:12 B4. 0:14 B4/C5, 1:07-1:11 phrased Bb4s. 1:41, 1:50 C#5, 4:28 C#5/D5 (?), 4:30 C5, 4:33 D5, 4:48-4:51 C5s-Eb5s, 4:53 C5-D5.